Posts Tagged "ya reads"

The Demon’s Lexicon by Sarah Rees Brennan is our Book of the Month here at yaReads. Sarah added to her already huge stack of awesomeness this week and agreed to an interview with us for your reading pleasure. Enjoy.

So, since we’re running a contest that offers both the UK and the US covers as prizes, I have to ask: which one is your fave cover and why?

My favourite cover out of all my covers? Definitely my Japanese cover! Check it out: http://www.sarahreesbrennan.com/japancoversmall.jpg Is it not the greatest cover in the world? I’m having it made into posters to pass out when I am on tour with Scott Westerfeld in October. (Yes, you heard that right. Imagine that phone call as ‘You free to go on tour with Scott Westerfeld?’ *scream* *crash* *gurgling sound of someone trying to both faint and have hysterics* ‘… Yes, that sounds acceptable to me.’)

I like both my UK and US covers: I love how noir and dangerous the UK cover looks, and how the boy on the US cover is good-looking with just a hint of something dark in the eyes – and that underneath the US cover there’s a Secret Cover.

The Demon’s Lexicon world is kind of a mash of a whole bunch of urban fantasy genres. You’ve got everything magical in there. Was that a conscious decision or did it just kind of happen naturally?

I feel magic is like chocolate – adding it makes everything better. I’m never really able to believe that just one fantastical thing is true (witches are real but nothing else is, vampires are real but nothing else is) and I wanted to have a secret world that was believable, and magic that was used in a dozen different ways. Including using it for profit!

Nick is a very fierce character. Please explain.

Well, Nick has a lot to be upset about… Heh. I kept seeing characters who were watered-down versions of the mad, bad and dangerous to know type like Rochester and Heathcliff, and I really wanted to write a character who was mad, bad and dangerous to know – but from the inside, so nobody was distracted by the smouldering good looks (well… not very distracted) and so I could see how that character really ticked, make it clear that this kind of behaviour didn’t come from a good place and also (with some luck!) write a character who was still compelling despite all that.

I’m always interested in how authors choose names for their beloved characters. So, how did you choose yours?

Honestly I am always freaked out by characters with bizarre names in books. So many people with strange names like Faraday Moonfeather, so few explanations like ‘My parents were vampire elders/hippies/thought being beaten up on the playground would build moral fibre.’ So I knew I wanted really normal names for my characters, in order to fight the trend. So, Nick and Alan, normal names that I like. Plus it amuses me that Old Nick is one of the names for the devil, and it seemed a good fit for my slightly villainous hero.

Mae and Jamie, the other two main characters, were chosen to be not so strange and yet say something about their characters: Mae calls herself Mae after Mae West, truly one of the most awesome old movie stars ever (a couple of Mae West quotes: ‘Marriage is a fine institution… but I’m not ready for an institution yet’ and ‘Used to be Snow White, but I drifted’) and Mae Jemison, the first African-American woman in space, which says a lot about Mae, and Jamie goes with a cute, non-threatening nickname rather than ‘James.’

Of course then I found out that ‘Jamie’ can also be a girl’s name in America. I’m so sorry, Jamie!

Did your plot, or your characters for The Demon’s Lexicon come first?

I knew the end of the book first, so you could say that plot came first, but the plot is really bound up with the characters: things only pan out the way they do because the people in the book are the people they are – a compulsive liar, a power addict, someone with an anger management problem and someone with a huge secret – so it’s very hard for me to disentangle the two.

How long did it take – from start to finish – to write The Demon’s Lexicon?

From having the idea to being totally finished, with revising it myself, revising it with my agent, revising it with my editor and copy edits done? Two years. (But I was writing other stuff by the time I was in copy edits… like the sequel!)

You were a Librarian before you were a writer. Do you miss it?

I was a library assistant, not even as fancy as a librarian. I will tell you one thing I miss about it – story hour at the library every Wednesday. I love reading aloud and running around, and we’d read Where the Wild Things Are and then scream ‘LET THE WILD RUMPUS BEGIN!’ and jog around the children’s space as we all screamed and threw up our hands.

… My bosses never need to know this about me.

You lived in New York for a short period. What did you love most about that? Why did you decide to move back to Ireland?

Well, I moved back to Ireland because I only had a year’s visa as an intern, and the Law asks Questions of a young lady who stays on when her visa is expired…

But I did live in New York, yes, and I loved it. Part of it was just how different life is over there. ‘And what do you call this?’ ‘Mac and cheese…’ ‘Ah, MAC and CHEESE. Mmm, exotic.’ ‘And this delicacy?’ ‘Meatloaf.’ ‘Today I sampled the dish known as the Meat Loaf, Mother. I have as yet suffered no ill effects!’

And partly it was that New York is one of those sprawling, wonderful cities full of discoveries to be made. like a street with quotes written on every paving stone, and biker gangs who end up adopting you (long stories) and friends who don’t abandon you even though you shame them in your paroxysms over bubble tea.

As a first time novelist, is being a writer lived up to everything you thought it would?

I don’t think I ever had a clear idea of what it would be like: I spent years and years having it be a dizzy dream – I wasn’t able to think past publishers saying yes before they did, and when they did I didn’t spend any time thinking: I spent my time either ecstatically dreaming of huge success, or coldly fearing terrible failure.

Even now, there have only been a few moments where I could quietly process what’s happened: when I’m sitting down writing a book that I know someone besides my Great-Aunt Jemima will read, or reading a lovely email from someone who enjoyed the book, or curled up with tea and copy-edits. And then I think ‘Wow, I am so lucky’ and try to think about something else fast lest the luck be broken.

What is your fave fantasy novel?

I absolutely cannot pick one. I love far too many. But possibly my favourite fantasy novelist in the world is Diana Wynne Jones, who makes fantasy both funny and believable all the time, and ties it into issues like fantasy, love, family and betrayal in a way that hits all my fantasy-loving buttons at once with a massive hammer.

Do you get into contemporary/realist fiction?

I get into every kind of fiction there is! I love historical, crime, classics, romance, and everything in between. An extremely brilliant contemporary novel I’ve read recently is Jaclyn Mitchard’s The Deep End of the Ocean, about a young boy stolen from his family, and how his loss affects both his mother and his rebellious older brother. (It’s obvious at this point that families in fiction are one of my favourite things!)

You did an MA in Creative Writing. Is this something that you would recommend to all aspiring writers?

It would depend on the course, and also what they wanted to write. My tutor Liz Jensen (The Ninth Life of Louis Drax) was awesome and taught me a lot, but there were also a few people who thought fantasy was a waste of time. On the whole, I’m really glad I did the course, but I think it’s something everyone has to think over very carefully and then decide for themselves.

Which do you prefer…

Coffee or tea?

Tea. You might think this means I don’t have a problem, but tea actually has more caffeine in it than coffee, and I am on a good thirteen cups a day. Tea is my heroin. baby.

Summer or winter?

Summer! I love the sunshine. Which is sad for me, as the Irish summer lasts approximately three days.

Carrot or icecream?

How can you even ask me that? What do you take me for? Ice-cream! I just had burnt sugar and butter ice-cream while I was in Massachusetts, and honestly I still dream about it.

London or New York?

Oh. That one is really, really tough. I will say New York, because America has being exotic going on for it, and there is always something fun and strange happening in New York (though there’s mostly something fun and strange happening in London.) Still, given the Victorian tea parlour that’s secretly a bar, the library that’s secretly a bar, the underground spyhole that’s secretly a bar, the beauty shop that’s secretly a bar (What… I’m IRISH) I’ll have to go with New York. But I love both!

In the beginning there was me and Mum and Dad and the twins. And talk about happy families, we were bountiful . But it came to pass. And then I started doing sins. And lo, that’s when all our problems began.

I know I’m stating the obvious here, but this is the new book by Morris Gleitzman. Although Morris isn’t technically Australian, he emigrated here when he was young, so I think its safe for us to claim him as our own now, and at the moment I’m feeling kind of proud to do so. For those of you that don’t know who Morris is, I feel the need to ask what kind of rock you’ve been living under for the last, oh, I don’t know, forever? (Especially if you’re Australian). I used to read him when I was young and I’m incredibly happy that I decided to read his new book, Grace. Although I’d argue it’s targeted at an audience that is slightly younger than we usually cater for, I reckon this is the kind of book that all readers will be able to get into.

Meet Grace: daughter, sister, inquisitive student, and completely devoted to God. So devoted to God it’s not even funny. After being inside her head for just a few pages, I realised that this story was going to be loaded with religious values/ideals/blah blah blah – and that is not something I really enjoy reading about. But thankfully, I persisted, and I learned a whole lot from Grace.

When Grace’s father is expelled from their cult/church (referred to by Grace herself as a “special” kind of Christianity) Grace thinks it’s her fault. I mean, she did get off the school bus to check and see if the people in the van they hit were okay, she did ask too many questions, and she did interrupt prayer at school. Maybe if she hadn’t done these things, he’d still be allowed to live with them. After setting out on a mission to find her dad and bring him home, Grace begins to realise that her father’s expulsion really wasn’t her fault. She starts to see that the men of her church, particularly her grandfather, might be manipulating the situation more than she first understood.

Will Grace be able to show her mother the truth, prove her father’s innocence and save her family? Sounds like a helluva burden for such a small kid to carry, but everyone knows that sometimes, adults can be total morons and only the genius of the child mind can save a the day.

If you’re into seriously fanatical religion, then I’d stay away from this book, especially if your breed of fanaticism dances in Christianity’s court. I think the only reason I was able to stomach all the religious fodder in this story was because it totally demonised it. Having said that, I think its safe to admit that I totally loved this book! Grace is an awesome character whose initiative, dedication, and inquisitive mind set her up as a noble heroine worthy of admiration by all. For someone who has spent her entire life in a brainwashed bubble of Christian poo, Grace accepts the truth about her circumstances with the maturity of someone much older than her years. If it were me, I’d be in all kinds of denial. But she was believable in every single way; I never once found myself thinking that her choices or her thoughts were unrealistic.

What really scared me about this story was just how impressionable the human mind can be. The community members that are part of Grace’s church are brainwashed beyond anything I can possibly comprehend. A scenario like that seems like total fiction to me, because I just can’t get my head around how someone (or a whole group of someone’s) can succumb to something like that without question. But the truth is, it’s not fiction. There are cults just like this one functioning in real life. I think a story like this is definitely appropriate for a pre-adolescent (or early adolescent) audience because it demonstrates that sometimes, just because everyone else is doing it, doesn’t necessarily make it a right, or a good thing. It’s good to ask questions, and knowledge is always, always power.

This is a very easy book to read and I knocked it over in two hours flat (including time allocated for a coffee and toilet break). Morris Gleitzman has totally outdone himself this time and this book (unexpectedly) knocked my freaking socks off! Two extremely enthusiastic yaReads thumbs up for Grace.

Rating::

Sarah Rees Brennan is the author of the popular novel, The Demon’s Lexicon, which also happens to be our Book of the Month right now. Sarah kindly agreed to review one of her fave YA books for your reading please. She chose The Awakening by Kelley Armstrong…

One of my Favourite Teen Books, and Thoughts About Sequels

So, I really loved The Summoning by Kelley Armstrong, (http://sarahtales.livejournal.com/136884.html a tale of Chloe, a girl who immediately assumes that she has mental problems and not super powers, and the people she meets at the institution: fire starters, telekinetics and one incredibly sullen werewolf.

Reading the second book in a series you love is always a little scary. You really don’t want it to let you down, and the second book in a trilogy is even scarier: you always have a sneaking suspicion that the writer might be saving the best stuff up for book three.

However, I have a rule for all good trilogies. Book 1: set up. Book 2: make out. Book 3: defeat evil!

Obviously this is not all that goes on in trilogies, but I really mean it. Book one introduces you to the world, and the characters, to the way the writer’s going to be handling the story and the way s/he runs with and wraps up a book. And then book two takes you further into the world, and since the overarching plot can’t be resolved, it gives you time to show us more of the characters, and how the storyline is developing and affecting them: how the characters change and grow, and how their relationships become more intense and complicated. (Which often leads to making out…)

The Awakening delivers exactly what I want in a second book, and did a lot of things I would find cool in any book.

Something I really love is the deconstruction of tropes: when the things we think we know will happen don’t happen, when it all goes differently. My favourite movie this summer was (unexpectedly, as I’ve never seen the TV show) Star Trek, and one of my very favourite things about it was how they handled the romance. You know how it goes. Arrogant Good-Looking Guy meets and tries to woo Discerning Lady. She turns him down, and then he proves to her that she can take him seriously, and she learns to respect his mad skillz, and after that… she gets with someone else, because she really meant it when she said he wasn’t her type.

You see what they did there.

In The Awakening, there’s a small blond girl who’s easily scared, and a big rough tough dark guy who’s easily angered, and occasionally the guy yells and the girl shrinks back, and… it’s not at all good times. Chloe thinks to herself that she has to stop succumbing to damselitis and takes action, and Derek realises what he’s doing and tries to take a step back and be more reasonable. And instead of being romantic traits about them, these things are seen as stuff they have to work on, and evidence that they’re both young and finding out who they really are.

CHLOE: Omigod now it’s in the paper that I was being INTIMIDATED by a HUGE DUDE yelling at me.
DEREK: OMIGOD WHO DID THAT TO YOU.
CHLOE: … Um.
DEREK: OMIGOD I WAS NOT INTIMIDATING YOU.
CHLOE: But kind of, you were. Because you are a HUGE DUDE. And you were YELLING.
DEREK: OMIGOD BUT I WOULD NEVER HUR… meeple meeble… DON’T YOU KNOW I WOULD NEV… sorry Chloe.
CHLOE: That’s okay.

‘But Sarah’ you might say at this juncture. ‘I believe you were talking about making out?’

Now, The Awakening has a love triangle in it. Love triangles can be tricky, as you can end up going ‘Lady, make up your mind, nobody’s getting any younger and this is not fair to these poor boys.’ The Awakening deals with it in a way I really enjoy – by having Chloe, Derek and Simon – Derek’s adopted brother, who is gorgeous and biracial (nice to see! Plus look, families, yay!) all just be young, and fairly unaware of what’s going on, especially considering the terrifying stuff happening around them. Derek is kind of hideous, which is a refreshing change for a sulky young hero, and thus has never had any luck with the ladies. Chloe is a late bloomer and not used to picking up any cues.

CHLOE: Simon’s so awesome. Any girl would be lucky to go out with him.
SIMON: *holds Chloe’s hand*
CHLOE: Shame he thinks of me as a sister, but there you go.
SIMON: As a SIXTEEN YEAR OLD DUDE, I would just like to say I would never dream of holding hands with MY SISTER.

CHLOE: Oh Derek, here we are hiding in the bathroom after facing down crazy werewolves! We are wet and distraught and clingy and you have no shirt on! I have this funny feeling…
DEREK: … Um…. me too maybe… um…
CHLOE: Probably indigestion.

It is pretty clear that I want Derek and Chloe to end up together. And evil to be defeated, naturally. I like the characters and the world a lot: I’m looking forward to the third book not only so I can find out what happens next, but just because I really enjoy being with these fictional people and seeing how things play out for them. I recommend both books a LOT.

I’ll also take this time to thank my pal Aprilynne Pike (Wings) who sent me a copy of The Awakening signed by Kelley for me… in tribute to Derek’s rockin’ bod…

Thanks to Sarah for taking the time to write this!

When the love of Anna’s life and recently acquired boyfriend dies tragically in a car accident, she isn’t sure how she’s supposed to go on with her life. The only problem is, she can’t really grieve the way she wants to because no one knows that they were an item, especially not her best friend who also happens to be his sister. Anna never told Frankie because he wanted to be the one that broke the news. Now he’s gone, she’s doing everything possible to protect their secret and respect his wishes.

Then Frankie’s parents invite Anna to come along on their annual family holiday to California in place of their beloved (and dead) son and brother. Not really wanting to let Frankie down, Anna accepts. But she’s nervous. Zanzibar Bay was Matt’s favorite place on earth. How will Anna cope being so close to something he loved so much, without him?

Then Frankie decides that this summer is going to be all about boys. A different boy each day, making it their twenty boy summer. For someone like Frankie, twenty boys in twenty days sounds fabulous, but for someone like Anna, there is only one boy. There has only ever been one boy, and the way she’s feeling right now, there won’t ever be another one, either. Being the good friend she is, though, Anna goes along with Frankie’s game, and she becomes very good at pretending she’s participating in Frankie’s little challenge, when really she’s just watching on.

But then they meet Sam and Jake and Anna realises that maybe she’d like to play the game after all. Not for twenty boys, because that’s totally uncharacteristic for a girl like her, but Sam is special enough that maybe she could play for one boy.

Things are running along smashingly until Frankie finds Anna’s journal, and all the letters she wrote to Matt, all the details of their private affair. And Frankie is livid. The girls have the showdown of their lives and they realise that the one thing they had in common might just be the very same thing that tears them apart.

I have to say, I really didn’t like Frankie. She’s shallow, ignorant, selfish and just plain annoying. I had real trouble understanding why someone like Anna – who is none of the aforementioned things – is friends with someone like Frankie. I wouldn’t go so far as to say that Frankie isn’t a complex character, but I couldn’t bring myself to care about her enough to try and decode her mysteries. Anna, however, was a joy to get to know. I loved her flashbacks to her time with Matt and I could really feel her love and adoration for him. And when she met Sam, I really felt her conflict. I can’t imagine what it must feel like to be scared of loving someone new for fear of forgetting the past, especially when the past is all you have left of someone.

Twenty Boy Summer is Sarah Ockler’s first novel and it has a very Sarah Dessen feel to it, which is a compliment of the highest kind. I can’t wait to see what she produces next.

Rating::

Stephenie Meyer is rumored to be accused of plagiarism charges, concerning the latest book of the Twilight series, Breaking Dawn. Jordan Scott, author of book The Nocturne, claims that Stephenie Meyer took many plot lines from her book.

Check out more here.