Posts Tagged "YA Books"

Last week, www.examiner.com published a list of the most anticipated YA titles for 2010. In order of release date, the lucky titles are:

Chasing Brooklyn – Lisa Schroeder

Sweet Little Lies (L.A Candy) – Lauren Conrad

Gone – Lisa McMann

The Body Finder – Kimberly Derting

Hourglass (Evernight #3) – Claudia Gray

Fang: A Maximum Ride Novel – James Patterson

The Vampire Diaries: The Return: Shadow Souls – L.J Smith

Burned: A House of Night Novel – PC and Kristen Cast

Runaway (Airhead) – Meg Cabot

Kiss of Death: A Morganville Vampires Novel – Rachel Caine

Early to Death, Early to Rise – Kim Harrison

Passing Strange – Daniel Waters

Keys to the Repository: A Blue Bloods Novel – Melissa De La Cruz

Strange Fate (Night World) - L.J Smith

Linger – Maggie Stiefvater

The Hunger Games #3 (Untitled) – Suzanne Collins

A Clockwork Angel: An Infernal Devices Novel – Cassandra Clare

Behomoth – Scott Westerfeld

Crescendo – Becca Fitzpatrick

Beautiful Creatures #2 (Untitled) – Kami Garcia and Margaret Stohl

To learn more about these titles, and for their official release dates, click here

So what are your thoughts? Do we agree? Is there anything that was left of the list?

News from HarperCollins:

New York, NY (January 25, 2010) — HarperCollins Publishers broadens its digital offerings with the launch today of inkpop (www.inkpop.com ), the first interactive writing platform for teens backed by a major U.S. publisher. Inkpop, created by HarperTeen to attract young readers and writers, combines community publishing, user-generated content, and social networking to connect rising stars in teen literature with talent-spotting readers and publishing professionals.

The launch of inkpop represents the next step in the company’s overall digital strategy designed to build and expand its direct-to-consumer business. Inkpop will be the anchor of HarperCollins’s ongoing teen strategy, enabling the company to have a continuous dialogue directly with its audience to determine what the community cares about, as well as an unfiltered look at what’s in and what’s out.

“As with all of our online consumer programs, the concept of community-building is aligned with our ongoing corporate digital marketing efforts to cultivate a two-way dialogue with our readers,” says Susan Katz, President and Publisher of HarperCollins Children’s Books. “Inkpop provides us with an interactive platform to engage directly with our audience, encourage a passion for writing, and discover new trends and opportunities in this growing and important community.”

Katz adds, “Teens are a key consumer group with significant financial impact. Teen fiction is one of the most robust and fastest-growing categories in publishing today.”

“Across our business we are looking to build consumer reach and engagement,” says Charlie Redmayne, HarperCollins Chief Digital Officer. “Inkpop is the latest iteration of these direct-to- consumer efforts this time for the teen market.”

Since its soft launch in 4^th quarter 2009, inkpop already has more than 10,000 members and nearly 11,000 submissions, including novels, poems, essays, and short stories. The visitors are teens ages 13 and older, from 109 different countries and territories. Additionally, it has engaged a select group of international HarperCollins editors and authors to review the site’s top five monthly selections, providing invaluable feedback and mentorship opportunities to the young authors, while also considering their work for publication.

“What sets inkpop apart from other writing communities is the Editorial Board,” says Kat Musallam, an inkpop user. “Other communities only have that writer-reader interaction, but to have a panel evaluate your work is something that we writers—especially those who aren’t so familiar with the publishing world—can only dream of.”

Carolyn Mackler, author of Tangled and the Printz-Honor book, The Earth, My Butt, and Other Big Round Things says, “I would have loved to have a community like inkpop when I was a teenager.  I desperately wanted to connect with people who liked reading and writing, to compare notes on a character or maybe even not feel so alone with all my words and thoughts.  So as an author, it was a huge treat to be able to chat with my teen readers during an inkpop forum event.  The inkpoppers came out in droves, with major enthusiasm and loads of questions.”

HarperCollins will announce partnerships throughout the year that will further enrich the inkpop community experience for teen members. As inkpop evolves in the months ahead, this exciting community will continue to expand and encompass other formats such as photography, video and artwork sharing in order to enhance inkpop projects and promote additional forms of creativity.

HarperCollins has launched several successful digital initiatives designed to engage consumers globally including Book Army, Authonomy, Browse Inside and Full Access. The company was also the first publisher to digitize its content to create a global digital warehouse across all divisions with capabilities to distribute digital content to retail partners, search partners, online partners and consumers, making the company uniquely positioned to create and sustain this type of community.

Her friends once thought she was perfect. Now she must face the mirror–and herself–to discover what true beauty is.

Ellie Summerfield has everything a girl could want–she’s beautiful, she’s Senior Class President, has a calendar full of social engagements, volunteer commitments, and church activities. In short, she’s perfect, according to most of the students at West Redding High School. But something is bothering Ellie, like a loose string on a dress she can feel but can’t see. Does she really love her boyfriend, Ryan? Who are her true friends? And is she really happy in her picture-perfect life?

Then in the course of a few minutes, the loose string in Ellie’s life completely unravels. Forever changed, she must face herself as she discovers what it really means to be beautiful.

Ellie is that girl. You know the one I mean: the one with the hot boyfriend; the one with the flawless grades; the one that everyone admires; the one that is most likely to succeed in life. There’s one in every school, and although you’d love to hate her, there just isn’t anything about her to hate.

But then something happens, something bad. Ellie and her friend Stasia are involved in a car accident. Ellie suffers a lot of injuries and winds up in the hospital with severe burns to one side of her body.

Stasia doesn’t even make it out of the car alive.

The doctors assure Ellie, that after a few years and a whole lot of surgery, that she’ll recover and the scarring will almost definitely disappear. But a few years is a long time to walk through life looking like a mutant, and suddenly Ellie decides there is plenty about herself that’s worthy of hating.

In a fit of depression, she cuts herself off from her friends. Every single one of them, including her boyfriend, Ryan. She’s no longer beautiful, so what’s even the point?

Ellie spirals further and further into a pool of depression and self-pity until one day, an old friend from way back in her past, someone that she sees as imperfect and flawed in his own way, walks back into her life.

Will has always had a crush on Ellie, even when they were little kids, and nothing has changed now. Just because her face isn’t the same as it used to be, doesn’t make her any less beautiful, in his eyes. For Will, beauty isn’t something that’s just on the outside. For Will, beauty comes from within.

Will he be able to save Ellie before she hits the bottom of the barrel? You’ll have to read for yourself to find out.

Although Ellie’s horrible self-pity was hard to endure, it was not unrealistic. As a character, I found the way she responded to the events and issues thrown at her to be very believable. I felt sorry for Ryan and her friends when Ellie simply cast them aside, but I never once thought that she was being unfair, or that her character was unrealistic.
Of all the characters within Beautiful, I admired Will and Ryan the most. Although Ellie pushed Ryan away with everything she had, he never stopped loving her, and just like Will, believed that her beauty went far deeper than the scars on her face.

A solid read that I’m sure the girls will love.

Pages: 266

Publication Date: 2009

Rating::

She doesn’t see dead people, but…

She senses when someone near her is about to die. And when that happens, a force beyond her control compels her to scream bloody murder. Literally.

Kaylee just wants to enjoy having caught the attention of the hottest guy in school. But a normal date is hard to come by when Nash seems to know more about her need to scream than she does. And when classmates start dropping dead for no apparent reason, only Kaylee knows who’ll be next…

Kaylee has spent her adolescence riding on the coat tails of her best friend, Emma. Emma is one of those beautiful, cool and popular types, and although Kaylee doesn’t quite make the cut, the fact that she’s Emma’s best friend means that she’s been accepted by most of the cliques around school. But Emma’s the one that gets all the attention, Kaylee’s usually just along for the ride. So when Nash, one of the cutest boys in school, starts paying attention to her, Kaylee can’t believe her luck.

But Kaylee has a secret. She can sense when someone is about to die. It’s all consuming and comes in the form of something resembling a panic attack. When she starts flipping out in front of Nash at a club one night, she thinks her chances with him are shot.

Nash sees something in Kaylee that he’s never seen in many people before. He sees who she is for real and it doesn’t bother him in the slightest. In fact, he actually likes the creepiness that comes along with Kaylee. Nash thinks that together, he and Kaylee could be amazing – in more ways than the obvious.

Kaylee doesn’t understand why she can sense immanent death, and the last time she tried to tell someone about it, she ended up in the loony bin, all drugged up and the center of one kooky psychological study. After she got out of the hospital, she knew that she had to keep her secret to herself. Then girls start dying all around her and Kaylee knows enough about her ability to identify their deaths as anything but coincidence. She’s not so sure she can keep her secret to herself for much longer. There is something about Nash that makes her want to trust him, makes her want to confide in him. When she does, Kaylee almost doesn’t believe what he tells her.

Almost.

Kaylee’s character development throughout the story is solid and believable, and her reactions to Nash’s news about what, and who, she is hits the nail right on the head. Nash is dynamic, and something tells me that he’s going to be paramount to the popularity of this series, but I have a feeling that we are yet to see just how powerful, how strong Kaylee is. I suspect she’s going to grow into one heck of an amazing role model for young readers everywhere.

With the right amount of romance and supernatural action all mashed together, Vincent’s prose is simple and easy to read, making My Soul to Take an easily digested treat.

My Soul to Take is a supernatural feast. I have a feeling that readers, both young and old, are going to love this series.

Pages: 279

Publication Date: 2009

Rating::

Teaser Quote: I froze in the middle of my fuzzy purple rug, horrified by the very thought of standing between a reaper and his intended harvest. “Nash, he was doing us a favor.” But they both ignored me…

My Soul to Save has also been voted by our loyal forum members as our bookclub read for the month of February. We’ll be kicking off discussions from February 1, 2010. Click here to join in the fun.

In case you’ve forgotten, we’ve been featuring Lili St Crow’s Betrayals as our Book of the Month in December. To close off the promo, Lili sat down and penned a review of Sarah Dessen’s Dreamland for your reading pleasure. Enjoy!

Dreamland by Sarah Dessen

The first Sarah Dessen book I ever read was Dreamland, and it is to Dessen I owe my reintroduction to the young adult genre. When I was of the age to be marketed to as a “young adult”, I found most of the offerings insipid to say the least, and downright patronizing at worst. I’m glad to say that the genre seems to have undergone something of a revolution in the last five to seven years, and Dessen holds a special place in my heart as the person who introduced me to a new breed of YA books.

Dreamland is about Caitlin O’Koren, a younger sister whose older sister Cass leaves home without a word on Caitlin’s birthday. The reason for her sister’s flight is beautifully shown but never spelled out: their mother’s almost frantic insistence on living her life through one of her children. Both O’Koren parents are flawed but not overly so, doing the best they can.

Caitlin, after living her entire life in Cass’s shadow, suddenly finds herself the focus of her mother’s ambitions. She’s now a stand-in instead of a postscript, and when she meets the appropriately dangerous-seeming Rogerson Briscoe, she makes the first of many abortive attempts at freedom. Unfortunately, Rogerson is a problem in and of himself. He has serious anger-management issues, a bad home life, and is exactly the wrong boyfriend for a vulnerable, uncertain girl.

Unfortunately, many real-life stories start out this way and end tragically.

When I was young enough to be a target audience for YA, the subject of teen dating violence—like so many other subjects—was taboo. I think what grabbed my attention most in Dreamland was Dessen’s unflinching but gentle look at the realities of such a situation. Rogerson is not a villain, he’s a messed-up kid. Caitlin is spoiled, yes, but she’s also loyal to her friends and trying to shoulder her family’s burden as well as she can. Caitlin’s mother is so devastated by her older daughter’s disappearance that her younger daughter becomes a figurehead to her, and Mr. O’Koren is uncomfortable with anything even relating to “girl talk” and prefers concrete action over emotional messes. All these things conspire to make an abyss Caitlin falls into, one she can’t extract herself from without help. She’s not completely a victim, and Rogerson is not completely evil.

I remember finishing Dreamland for the first time and feeling as if Dessen had reached into some of my most secret memories. The shame Caitlin feels, her need to “protect” Rogerson and cover things up, the pressure of her family’s loss, all these things felt familiar. It felt like someone was speaking the truth, and I do not remember the young adult books of my young adulthood ever giving me that frisson. Instead, I graduated early to the “adult” section of the library and didn’t look back—until Dessen.
Dreamland is not perfect. For one thing, the pacing is uneven and Caitlin’s therapy is not given nearly enough room. For another, all Dessen’s heroines start out (even if they haven’t always been) as upper-middle-class. Money is rarely an issue for the kids in her books, and it seems a shame that a writer of Dessen’s talents hasn’t explored that angle. Rogerson Biscoe screams “trouble” so loud, and Caitlin is such a sleepwalker, that occasionally the adult me wanted to shake both of them—as well as Caitlin’s mother. Still, the very strength of my emotional response tells me that these are well-crafted characters. If they weren’t, I wouldn’t have fallen so hard into the world of the book, nor would I reread it with my heart in my mouth each time.

I’ve read most, if not all, of Dessen’s other young adult books, and been entertained each time. Dreamland, however, remains something special. Every time I read it, it’s like the author—and Caitlin herself—are speaking directly to me. Which is a feeling to treasure, whether one is seventeen or seventy. Dessen opened up the new world of the young adult genre for me, and I’m glad to note that books for younger readers are not the clichéd swill that was the only thing on offer when I was significantly younger than I am now. Each time I see a new Dessen book, I feel a thrill and reach for my bank card.

And that, as a reader, is the highest compliment I can give.