Posts Tagged "teen reads"

Stephanie Kuehnert’s new book, Ballads of Suburbia, is our Book of the Month here at yaReads. We think Stephanie is a pretty amazing story teller and is a breath of fresh air in the world of Young Adult fiction. She deviates from the regular YA formula and her books are confronting, edgy, and real. It’s great to see someone pushing the boundaries. She was kind enough to answer some of our questions about Ballads, for your reading pleasure. Enjoy!

If you had to choose a ballad that fits your own life story what would it be?

Okay, this is seriously the hardest question anyone has ever asked me! It’s hard for me to choose just one because different phases of my life had different songs. I guess, I’d have to say “The Young Crazed Peeling” by The Distillers though. There are things that don’t apply literally (I’m not from Melbourne, I didn’t have an abusive dad, though my mom does blame herself for me growing up troubled a bit), but it’s basically to me about getting through your rough teenage years where you’re bored and troubled and as Brody sings “you can wash it all down, swallow your story, get smacked up, yeah and go down in drum roll glory,  but it won’t solve it, committing self inflicted crime.” And then you’re “liberated from those sad side city streets”, find love, speak truth, and  ”it hit me, I got everything I need. I got freedom and my youth.” Basically my troubled youth ended well, and gave me a gift of creativity, and I finally did find good love.

You’re obviously heavily influenced by music. What are your top three bands/artists of all time?

Nirvana, Hole, and Social Distortion, all of whom I discovered between the ages of 12 and 14.

Where does your musical influence come from?
Somewhere around age 10 or so music became as essential to me as food, water and air. I got into the Beatles first, through my parents. Then we got MTV and I started getting into alternative rock like REM, Jane’s Addiction, Depeche Mode and Faith No More as well as heavier stuff like Metallica and Megadeth. I had a couple friends who were always discovering new bands first, like one of them got Nirvana’s first album Bleach right before Nevermind came out and they got huge. One of them got stuff from a cool older cousin. That was where I heard Hole’s first album and I remember that friend brought the first Nine Inch Nails album to my 12th birthday party and we were like “The devil wants to f*** me in the back of his car?!?” BAD-ASS! But really it was Nirvana that had the hugest influence. Something about how Kurt Cobain screamed, it just soothed all that hurt inside and I wanted more music like that. So I bought bands’ albums that he mentioned in interviews. That’s how I discovered the Sex Pistols. Nirvana and The Sex Pistols were my two favorite bands in junior high and from there I went on to discover more punk. Punk gave me voice and a sense of release. It all comes from that.

Now for Ballads, how long did it take to write?

Actual writing time probably 2 years, but I wrote a really, really crappy book when I first started the creative writing program at Columbia in 2000/2001 called The Morning After. It had some of the same characters from Ballads, but it was a fictionalized version of my own life and that was not what I wanted to do. I had something to say about suburbia and I wanted to do it justice and find the write structure for it. So I shoved that manuscript in a drawer and went on to write my first published novel, I Wanna Be Your Joey Ramone. In the middle of doing that, while I was in grad school, I took a class with Joe Meno and he did this whole lesson on ballads and that was when I realized I needed these confessional type ballads for my suburbia book. Still, I finished writing IWBYJR and then came back to Ballads in 2006. I need a lot of stewing time for my books. But the ballad structure was exactly what I needed. I wrote the book fast. I think the only scene from The Morning After that made the cut though was when Kara and Adrian meet.

***SUPER SPOILER WARNING***

Did you make a conscious decision to kill of Maya, or did the story kind of write itself that way?

I knew Maya was dead when I met her. Ballads, unlike IWBYJR, I wrote linearly. I wrote that epilogue first and when Kara had that vision of Maya, I saw her too and I knew that Maya was dead. I knew how she would kill herself too, but I had to discover the whys through the writing, let Maya slowly reveal them to me.

A lot of the characters in Ballads (Liam and Kara especially) say that love is for suckers, yet they both end up falling for the people they’re messing around with. Do you think that people can have no-strings attached relationships like they were both aiming for?

Kara’s story is not as uncommon as society would have us think. Why do you think teens (and people in general, I suppose) turn to self-mutilation, drugs and substance abuse to help solve their problems? Well, I can’t speak for everyone, but I can speak for myself and I would say no. I had a couple Adrian style relationships when I was younger and always got emotionally involved and got hurt. Now I’m a very emotional person so that is just me, but when I’ve seen other people do it, it seems like someone always gets hurt too.

Kara’s story is not as uncommon as society would have us think. Why do you think teens (and people in general, I suppose) turn to self-mutilation, drugs and substance abuse to help solve their problems?

Because as a society we don’t communicate well. That’s kind of the whole theme of Ballads, the whole tragedy of it. If parents had talked to children or children had talked to parents or other trusted adults or each other, things might not have happened the way they did. I hope this story creates a dialogue and gets people talking so fewer kids suffer in silence like the characters in Ballads and like I did as a teen too.

If Kara’s parents had stayed together, do you think she would have gone down a different road, or do you think she was destined to learn life’s lessons the way she did?

Well, it depends. If they stayed together for the right reasons and actually created a healthy environment, then maybe things would have been different. But “staying together for the kids” and creating this unhealthy silence wouldn’t haven changed things. Also Kara had other issues. She felt isolated and friendless, she might have still gone down the same path because of that. I don’t think anyone is destined for anything, there are always choices, but there are also always multiple factors that shape why we act the way we do.

***SUPER SPOILER WARNING***

Do you think Adrian will ever clean himself up?

Um, I don’t know. Part of me wants to hold out hope. Part of me is cynical because I have friends (ex-friends really) who are still in the throes of addiction and it seems like they will never come out. Adrian’s a lot like them because he just doesn’t care. If you don’t care enough to save yourself, you’re pretty much screwed. No one can save you but you.

For all those people out there who live by the motto “once a drug addict, always a drug addict” what do you have to say to that?

Depends what you mean by that. If it’s like a negative thing, like people can never turn their lives around, I think that is bullshit. There are always choices and opportunity for change. But it is a fight to overcome an addiction. I struggled with self-injury and even though I haven’t cut in eight years when a friend of mine was killed in a motorcycle accident last year, it took unbelievable willpower not to go back to old ways of running from pain. So yeah, you are always an addict in that sense where it’s not like you can just indulge again without consequences. But you can start fresh and turn your life around.

What would be your advice to teens reading Ballads that might be following a similar path as Kara?

Find someone trusted to talk to. Friends are good, but finding an adult is important too. There is no shame in therapy. My life didn’t turn around until I seriously started going to therapy. That combined with my art–my writing–helped me through my darkest times. Art is the best escape– no hangovers, no regrets, no scars. Finding some form of art–music, writing, painting, photos, film–to express yourself with is the best way to begin to heal. Along with talking. Talking is so necessary.

What are you working on now?

I’m working on a few different things. It takes a while for the ideas to formulate so I do more than one thing at once until I really get going. I’m working on a book about a teenage girl and her alcoholic, still-teenage-acting mom trying to grow up and finally put down roots somewhere together. Then I’m working on a book with paranormal elements, that involves mythology and rock ‘n’ roll.

Kara hasn’t been back to Oak Park since the end of junior year, when a heroin overdose nearly killed her and sirens heralded her exit. Four years later, she returns to face the music. Her life changed forever back in high school: her family disintegrated, she ran around with a whole new crowd of friends, she partied a little too hard, and she fell in love with gorgeous bad-boy Adrian, who left her to die that day in Scoville Park….

Amid the music, the booze, the drugs, and the drama, her friends filled a notebook with heartbreakingly honest confessions of the moments that defined and shattered their young lives. Now, finally, Kara is ready to write her own.

The blurb featured above doesn’t even come close to doing Ballads of Suburbia justice. This is not your regular dose of girl-meets-bad boy-but-finds-her-way-back-to-the-right-side-of-the-tracks kind of YA fiction. There is nothing censored, dusted over, or left out of this novel. I’m not even really sure you could classify this one as YA. Having said that, I think its something all angsty teens should read, and not because it has a ‘drugs are bad’ message, although it does, in a round about kind of way. Mostly, because it’s so real and I reckon there is a whole bunch of teens wandering around suburbs just like Oak Park, feeling just like Kara does, thinking there’s no escape. Ballads is a tale about choices and how those choices can affect us for the rest of our days.

Kara’s decent into darkness essentially starts when her parents split up. They moved to the suburbs so they could live out their happy all-American fantasy of being a perfect family, only it didn’t quite work out that way. Not even close.

Kara is hurting and she’s looking for someone, something to make it all stop. Her quest takes her to fairly innocent places at first. Alcohol, cigarettes, a bit of pot. And it works, for a while, but soon enough, the pain starts to push through the mask and she knows she’s going to need something new.

Enter Adrian. Who needs drugs when you’ve got Adrian? He’s sexy, badass, and he likes Kara. No one has ever liked her before, not in that way. Who wouldn’t be pulled in by his trance? Before long, though, it becomes obvious that Adrian is bad news. He’s into hard drugs and he’s unapologetic about it. Soon the high of being around him isn’t enough either, and Kara jumps on the junkie wagon.

What I loved about Ballads is that the narrative does not, in any way, lay blame on Adrian for Kara’s drug use. Although she goes through some seriously messed stuff, Kara makes a choice, a whole bunch of them actually, and the narrative recognises that the reason Kara becomes addicted to heroine is because she allowed herself to. She didn’t need Adrian’s influence – hell some could argue that he didn’t ever actually influence her to use, but he certainly never tried to stop her – her pain and despair was so great that if she hadn’t gotten it from Adrian, I’m certain she would have found it elsewhere.

Kara’s problems essentially started at home, though I don’t entirely believe its fair to blame her problems on her parents, either. For me, it seemed that Kara is the kind of girl that was always going to at least dabble in illicit substances. Would she have taken it to such extremes if her family life had been more stable? Who knows. It’s impossible to say, but there are plenty of kids from well adjusted families that end up as heroine junkies. For some, I think it comes from within. Ballads acknowledges this and lays it all out on the table, judgment free. I bet that every single person will take something different from this novel, and that’s why I think everyone should read it.

This one comes with one hell of a warning folks. If you’re looking for something warm and fuzzy, don’t read this book. If you’re looking for a teen romance that takes a walk on the wild side, don’t read this book. If you’re looking for something that ends up all good and well in the end, then don’t read this book. If what you’re looking for is a real life read that will break your heart, fill your eyes with tears, and force you to face the hard questions head on, then this is absolutely, most definitely the book for you. If you’re looking for a book with complex and deep characters, then this is the book for you. If you’re looking for a read that will keep you thinking long after you finish the last word, then Ballads of Suburbia is a must-read for you.

Kara’s tale is a raw, hard-hitting lesson on just how much guts it takes to fight your way from the dark side into the light. Stephanie Kuehnert’s effortless prose and outstanding imagery will leave you standing front and center, right in the middle of all Kara’s chaos.

Be prepared to have your beating heart ripped right out of your chest.

Rating::

P.S – If you’ve never known someone that’s affected by drugs the way Kara and some of her friends in this book are, I hope that you can look upon her story in a non-judging way. And if you, or someone you love has been kissed by drugs, then I hope you can take something of Kara with you into your days. Her story is more than just a fictional tale.

“How do choose between the things you love?”

Meet Ella. Her world has just been turned upside down when her parents decided to move their whole family interstate. Gone is downtown Melbourne, her dance studio, best friend and boyfriend, and hello Newcastle, where the town lives by the daily surf report, everyone knows everyone and her mother is apparently a local legend. Everyone seems to be adjusting; even her crazier-than-normal sister Creaky, yet Ella can’t help but long for her home town, where everything has its place and where she knows what is expected of her.

Nothing will replace the life in Melbourne, but as Ella starts to settle in and see the beauty of her surroundings, Newcastle may just come close. School brings new opportunities for Ella, new friends, new surroundings, new people who have no idea who Ella is. As she settles into the life in Newcastle, Ella finds what she was missing, a new dance studio, close friends and as Ella begins to accept her new life, her conflicted feelings of missing her old life but enjoying her new one start to play out. At the forefront of this is Jamie, her ex-but-still-kind-of-together boyfriend from Melbourne. Ella and Jamie never really broke it off, and when Ella starts to become close to talented surfer and fellow classmate Snowy, tensions between Ella and Jamie start to climb.

Unable to resist the lure of the surf, Ella becomes completely entrenched in the surfing culture of the town. Mornings are spent at the beach, afternoon’s training, and every second of free time is somehow related to surfing – documentaries, magazines and the all important surf report. All through this, Ella hears whispers of her mother’s former surfing ability, yet before the move, Ella and Creaky were un-aware that their mother even liked the beach, let alone spent enough time there to be considered a surfing legend.

As Ella struggles to find a balance between surfing and dancing, the question must be asked, and Ella needs to make the biggest decision that could very well change the course of her life forever.

Surf Ache is debut novel from Australian writer Gerry Bobsien, a resident of Newcastle. As a first novel, it is something fresh and new in the young adult genre. I’m yet to read a novel on surfing that I got to the end of, this being the first. However, I felt that there was room for much deeper character development and exploration, as with some of the characters their decisions and actions lacked believability for me. I felt that there was too much covered in the way of events, without a definite conclusion. That being said, this novel could be setting up to a possible sequel. I personally would have loved to see more of Creaky and Luke, as I felt this story arch was set up then forgotten towards the end of the novel, but that could be me and my love of wacky characters! Overall, an enjoyable and light read that kept me occupied and reading to the end.

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As spring turns into summer, Elizabeth relishes her new role as a young wife, while her sister, Diana, searches for adventure abroad. But when a surprising clue about their father’s death comes to light, the Holland girls wonder at what cost a life of splendor comes.

Carolina Broad, society’s newest darling, fans a flame from her past, oblivious to how it might burn her future. Penelope Schoonmaker is finally Manhattan royalty—but when a real prince visits the city, she covets a title that comes with a crown. Her husband, Henry, bravely went to war, only to discover that his father’s rule extends well beyond New York’s shores and that fighting for love may prove a losing battle.

In the dramatic conclusion to the bestselling Luxe series, New York’s most dazzling socialites chase dreams, cling to promises, and tempt fate. As society watches what will become of the city’s oldest families and newest fortunes, one question remains: Will its stars fade away or will they shine ever brighter?

When the young Diana Holland follows Henry Schoonmaker, the love of her life, to war, what are the chances that she’ll actually find him? Diana isn’t concerned with chances, though. The whole world has been stacked against them right from the beginning, and they’ve managed to battle through it all. What’s stopping her this time? No, chances are not important. All that matters is that she finds Henry. She must, she will make sure he knows how she feels, propriety and marital conventions be damned.

Meanwhile, Diana’s sister, the newly married Elizabeth, is settling into life as the new Mrs Cairns. Newly weds are supposed to live out their days in blissed out harmony, shack up on cloud nine, and all that. So why does it feel like there is something missing between Mr and Mrs Cairns? And if we, the readers, can see it, what’s stopping the harsh and unforgiving New York City society from noticing as well?

Speaking of society, New York City’s newest society member, Carolina Broad, has just about reached her all of her goals. All she has ever wanted was money, status, and a man to call her own. With two of those three already checked off the list, there’s only one more thing left for her to chase. Will Lina land her man, or will she continue her days in bitter loneliness?

With Henry off at war, Mrs Penelope Schoonmaker is up to her old tricks. Penelope proves money can’t buy happiness, and it certainly can’t buy love. Not the love of her husband, anyway, so she tries out her charm on a new player in town. Will she get found out, or will anyone even care enough to notice that Mrs Schoonmaker is not making good on her wedding vows? But when does Penelope ever make good on anything she says?

Splendor is an exceptional ending to an exceptional series. Some get what they want, and some don’t. But that’s the way the cookie crumbles in life, so why not in fiction, too? Anna Godbersen’s characters remain true to themselves in every which way, and although the way things unfold may not occur exactly how you might want them to, they certainly happen how they’re supposed to. How could we possibly want anything more than that?

You’ll gasp, you’ll laugh, you’ll cry out in glee. Splendor does not disappoint. Reading this series has been a real pleasure and I can’t wait to see what Godbersen produces in the future.

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Without the evil vampire Bishop ruling over the town of Morganville, the resident vampires have made major concessions to the human population. With their newfound freedoms, Claire Danvers and her friends are almost starting to feel comfortable again…

Now Claire can actually concentrate on her studies, and her friend Eve joins the local theatre company. But when one of Eve’s castmates goes missing after starting work on a short documentary, Eve suspects the worst. Claire and Eve soon realize that this film project, whose subject is the vampires themselves, is a whole lot bigger-and way more dangerous-than anyone suspected.

With Bishop out of the picture, I bet you thought life in Morganville would take a bit of a dull turn, especially now that the humans in town seem to have a more equal footing than ever before. Well, you thought wrong. This is Morganville, after all, which is short for trouble, with a capital M.

A few things have changed, though. Shane has a job, for one. He’s bringing in the dosh and making his contribution to the crappy Morganville society, chopping and cooking meat at the local BBQ joint. The good folk of the Glass House are eating less chili and more BBQ these days, not that anyone is complaining.

Michael is settling into life as a vampire, embracing the big bad fangs (in a good, non-evil way) and learning to love the newly acquired powers that come with being an Undead American.

Eve landed a gig acting in the town play. With a combined cast of vampires and humans alike, it sounds like something Eve would run a mile from. Wait till you hear what they’re performing… the whacked out folk of Morganville are in for a real treat – a rendition of A Streetcar Named Desire with a twist. A goth-girl twist. Sounds perfect for Eve. Totally perfect.

And Claire… well Claire is plodding along, loving being super smart Claire with the super hot boyfriend. Until Kim comes along, that is. She’s the new player in town (or the old player, depending on your perspective), and she seems well acquainted with the Glass House members. Too acquainted, according to Claire. She’s got a bit of a history with a certain guy that Claire might be dating, and she’s not liking that one bit.

Morganville’s awesome foursome is back with the full-scaled witty banter that we all know and love them for. In this chapter, friendships will be tested, loyalties questioned, rules broken and new ones forged. One of our very fave Morganville couples will hit one hell of a bump in the road. The question is, will they be able to navigate their way to the other side? Hold your breath because only time will tell, my friends, only time will tell.

Fade Out is laced with all the usual humor we’ve come to expect from Rachel Caine’s dynamic characters. While it may seem that not a lot is happening, if you read between the lines, keep your eye out for all the tiny clues, you’ll see that, in fact, a whole lot is going on. With the conflict presented in the last six books pretty much resolved now, Fade Out sees Caine outstandingly carve up the beginnings of the next big drama, the next life-threatening challenge that Claire and her friends must face. Because let’s face it kids, this is Morganville, where the vampires bite and not a soul can be trusted.

Rachel Caine rocked my reading socks off with this one.

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P.S – I reckon this one rates a special shout out to the cover artist. This is, in my opinion, the best cover to grace the Morganville series released so far.