Gretchen McNeil is an opera singer, writer and clown. Her YA horror POSSESS about a teen exorcist debuted with Balzer + Bray for HarperCollins in 2011. Her follow up TEN – YA horror/suspense about ten teens trapped on a remote island with a serial killer which released September 18, 2012 – was a 2013 YALSA Top Ten Quick Pick for Reluctant Young Adult Readers, a Romantic Times Top Pick, a Booklist Top Ten Horror Fiction for Youth, and was nominated for “Best Young Adult Contemporary Novel of 2012” by Romantic Times.
Gretchen’s third novel 3:59 – sci fi doppelganger horror about two girls who are the same girl in parallel dimensions who decide to switch places – is scheduled for September 17, 2013. Her new YA contemporary series Don’t Get Mad (pitched as “John Hughes with a body count”) about four very different girls who form a secret society where they get revenge on bullies and mean girls begins Fall 2014 with GET EVEN, followed by the sequel GET DIRTY in 2015, also with Balzer + Bray. Gretchen also contributed an essay to the Dear Teen Me anthology from Zest Books.
Gretchen is a former coloratura soprano, the voice of Mary on G4’s Code Monkeys and she sings with the LA-based circus troupe Cirque Berzerk. Gretchen blogs with The Enchanted Inkpot and is a founding member of the vlog group the YARebels. She is repped by Ginger Clark of Curtis Brown, Ltd.
Here are the next 10 Books queued up on my e-reader that I’ll start devouring next month!
Beware of Long Lankin, that lives in the moss. . . .When Cora and her younger sister, Mimi, are sent to stay with their elderly aunt in the isolated village of Byers Guerdon, they receive a less than warm welcome. Auntie Ida is eccentric and rigid, and the girls are desperate to go back to London. But what they don’t know is that their aunt’s life was devastated the last time two young sisters were at Guerdon Hall, and she is determined to protect her nieces from an evil that has lain hidden for years. Along with Roger and Peter, two village boys, Cora must uncover the horrifying truth that has held Bryers Guerdon in its dark grip for centuries — before it’s too late for little Mimi. Riveting and intensely atmospheric, this stunning debut will hold readers in its spell long after the last page is turned.
2. SIEGE AND STORM by Leigh Bardugo
Darkness never dies.
Hunted across the True Sea, haunted by the lives she took on the Fold, Alina must try to make a life with Mal in an unfamiliar land. She finds starting new is not easy while keeping her identity as the Sun Summoner a secret. She can’t outrun her past or her destiny for long.
The Darkling has emerged from the Shadow Fold with a terrifying new power and a dangerous plan that will test the very boundaries of the natural world. With the help of a notorious privateer, Alina returns to the country she abandoned, determined to fight the forces gathering against Ravka. But as her power grows, Alina slips deeper into the Darkling’s game of forbidden magic, and farther away from Mal. Somehow, she will have to choose between her country, her power, and the love she always thought would guide her–or risk losing everything to the oncoming storm.(
Only a few years before becoming a famous silent-film star and an icon of her generation, a fifteen-year-old Louise Brooks leaves Wichita, Kansas, to study with the prestigious Denishawn School of Dancing in New York. Much to her annoyance, she is accompanied by a thirty-six-year-old chaperone, who is neither mother nor friend. Cora Carlisle, a complicated but traditional woman with her own reasons for making the trip, has no idea what she’s in for. Young Louise, already stunningly beautiful and sporting her famous black bob with blunt bangs, is known for her arrogance and her lack of respect for convention. Ultimately, the five weeks they spend together will transform their lives forever.
For Cora, the city holds the promise of discovery that might answer the question at the core of her being, and even as she does her best to watch over Louise in this strange and bustling place she embarks on a mission of her own. And while what she finds isn’t what she anticipated, she is liberated in a way she could not have imagined. Over the course of Cora’s relationship with Louise, her eyes are opened to the promise of the twentieth century and a new understanding of the possibilities for being fully alive.
Drawing on the rich history of the 1920s,’30s, and beyond—from the orphan trains to Prohibition, flappers, and the onset of the Great Depression to the burgeoning movement for equal rights and new opportunities for women—Laura Moriarty’s The Chaperone illustrates how rapidly everything, from fashion and hemlines to values and attitudes, was changing at this time and what a vast difference it all made for Louise Brooks, Cora Carlisle, and others like them.
As a boy, William Bellman commits one small, cruel act: killing a bird with his slingshot. Little does he know the unforeseen and terrible consequences of the deed, which is soon forgotten amidst the riot of boyhood games. By the time he is grown, with a wife and children of his own, William seems to be a man blessed by fortune—until tragedy strikes and the stranger in black comes. Then he starts to wonder if all his happiness is about to be eclipsed. Desperate to save the one precious thing he has left, William enters into a rather strange bargain, with an even stranger partner, to found a decidedly macabre business.
And Bellman & Black is born.
Moonset, a coven of such promise . . . Until they turned to the darkness.
After the terrorist witch coven known as Moonset was destroyed fifteen years ago—during a secret war against the witch Congress—five children were left behind, saddled with a legacy of darkness. Sixteen-year-old Justin Daggett, son of a powerful Moonset warlock, has been raised alongside the other orphans by the witch Congress, who fear the children will one day continue the destruction their parents started.
A deadly assault by a wraith, claiming to work for Moonset’s most dangerous disciple, Cullen Bridger, forces the five teens to be evacuated to Carrow Mill. But when dark magic wreaks havoc in their new hometown, Justin and his siblings are immediately suspected. Justin sets out to discover if someone is trying to frame the Moonset orphans . . . or if Bridger has finally come out of hiding to reclaim the legacy of Moonset. He learns there are secrets in Carrow Mill connected to Moonset’s origins, and keeping the orphans safe isn’t the only reason the Congress relocated them . . .
This anthology has 33 stories representing the last 180 years. Some are classics by famous writers and others are little known. Besides the frightening and bloodcurdling, there are also the witty and subtle, plus those that leave a feeling of unease and fear.
Harry Dresden — Wizard
Lost items found. Paranormal Investigations.
Consulting. Advice. Reasonable Rates.
No Love Potions, Endless Purses, or
Harry Dresden is the best at what he does. Well, technically, he’s the only at what he does. So when the Chicago P.D. has a case that transcends mortal creativity or capability, they come to him for answers. For the “everyday” world is actually full of strange and magical things — and most of them don’t play well with humans. That’s where Harry comes in. Takes a wizard to catch a — well, whatever.
There’s just one problem. Business, to put it mildly, stinks. So when the police bring him in to consult on a grisly double murder committed with black magic, Harry’s seeing dollar signs. But where there’s black magic, there’s a black mage behind it. And now that mage knows Harry’s name. And that’s when things start to get… interesting.
Magic. It can get a guy killed.
The cowardly but evil Baron de La Braunch wants desperately to rid himself of his wife and her son so he can marry the enchanting Lady Alwena. He enlists the aid of the hideous Hag of Ravensworth, a wicked witch who has sold her soul to demons in exchange for supernatural power. The witch leads the Baron deeper and deeper into depravity and murder, leading to a startling and unforgettable conclusion! First published in 1808 and long out of print, The Witch of Ravensworth is a masterful blend of Gothic horror, fairy tale, and bizarre dark humour. George Brewer’s grotesque Witch is the clear precursor to later Gothic literary monsters like Frankenstein and Dracula. This edition features a new introduction and notes for modern readers, as well as the complete text of contemporary reviews.
Paris, France: September 1929. For Harris Stuyvesant, the assignment is a private investigator’s dream—he’s getting paid to troll the cafés and bars of Montparnasse, looking for a pretty young woman. The American agent has a healthy appreciation for la vie de bohème, despite having worked for years at the U.S. Bureau of Investigation. The missing person in question is Philippa Crosby, a twenty-two year old from Boston who has been living in Paris, modeling and acting. Her family became alarmed when she stopped all communications, and Stuyvesant agreed to track her down. He wholly expects to find her in the arms of some up-and-coming artist, perhaps experimenting with the decadent lifestyle that is suddenly available on every rue and boulevard.
As Stuyvesant follows Philippa’s trail through the expatriate community of artists and writers, he finds that she is known to many of its famous—and infamous—inhabitants, from Shakespeare and Company’s Sylvia Beach to Ernest Hemingway to the Surrealist photographer Man Ray. But when the evidence leads Stuyvesant to the Théâtre du Grand-Guignol in Montmartre, his investigation takes a sharp, disturbing turn. At the Grand-Guignol, murder, insanity, and sexual perversion are all staged to shocking, brutal effect: depravity as art, savage human nature on stage.
Soon it becomes clear that one missing girl is a drop in the bucket. Here, amid the glittering lights of the cabarets, hides a monster whose artisticcoup de grâce is to be rendered in blood. And Stuyvesant will have to descend into the darkest depths of perversion to find a killer . . . sifting through The Bones of Paris.
A brilliant new Gothic thriller from the acclaimed author of The Ghost Writer and The Seance
Confused and disoriented, Georgina Ferrars awakens in a small room in Tregannon House, a private asylum in a remote corner of England. She has no memory of the past few weeks. The doctor, Maynard Straker, tells her that she admitted herself under the name Lucy Ashton the day before, then suffered a seizure. When she insists he has mistaken her for someone else, Dr. Straker sends a telegram to her uncle, who replies that Georgina Ferrars is at home with him in London: “Your patient must be an imposter.”
Suddenly her voluntary confinement becomes involuntary. Who is the woman in her uncle’s house? And what has become of her two most precious possessions, a dragonfly pin left to her by her mother and a writing case containing her journal, the only record of those missing weeks? Georgina’s perilous quest to free herself takes us from a cliffside cottage on the Isle of Wight to the secret passages of Tregannon House and into a web of hidden family ties on which her survival depends.
Another delicious read from the author praised by Ruth Rendell as having “a gift for creating suspense, apparently effortlessly, as if it belongs in the nature of fiction.”