There were no surprises in Gatlin County. We were pretty much the epicentre of the middle of nowhere. At least, that’s what I thought.

Turns out, I couldn’t have been more wrong. There was a curse. There was a girl. And in the end, there was a grave.

Lena Duchannes is unlike anyone the small Southern town of Gatlin has ever seen, and she’s struggling to conceal her power and a curse that has haunted her family for generations. But even within the overgrown gardens, murky swamps and crumbling graveyards of the forgotten South, a secret cannot stay hidden forever.

Ethan Wate, who has been counting the months until he can escape from Gatlin, is haunted by dreams of a beautiful girl he has never met. When Lena moves into the town’s oldest and most infamous plantation, Ethan is inexplicably drawn to her and determined to uncover the connection between them.

In a town with no surprises, one secret could change everything.

Ethan has lived his whole live in Gatlin. He knows everything, what is expected of him, where he can go and his exact place in town. A place that Ethan desperately wants to break out off. Each day is the same. School, basketball practice, dinner, sleep. A routine that Ethan could repeat in his sleep, that is, if he got any sleep. Ethan has been plagued by dreams. Dreams so real that Ethan wakes up covered in dirt and water, dirt and water that can’t be explained away. Something is happening in Gatlin, and Ethan is at the centre.

Enter Lena. If being an outsider isn’t bad enough, Lena is the niece of Macon Ravenwood, commonly referred to as Old Man Ravenwood by the people of Gatlin, and living out at the old Ravenwood plantation, which superstitions has it is haunted. To top it all off, Lena isn’t what you would call ‘normal’ for Gatlin. For one, she has no interest in being a cheerleader, instead plays the viola, wears more black than the average person and sits at the front of the English class. To top it off, strange things seem to happen around Lena – windows exploding, thunderstorms appearing and changing room arrangements are just the beginning.

Ethan is drawn to Lena in a way that can’t be explained. Something about Lena reminds Ethan of the presences felt in his dreams. Suddenly, Lena becomes the centre of Ethan’s world. As everyone at Jackson High is doing everything they can to make Lena a nothing, Ethan is absorbing as much of her world as possible. Ethan is the only one who has noticed the sharpie-drawn number on her hand, and while his classmates are quick to blame Lena for the strange occurrences, Ethan tries to get Lena to open up and give her a chance to explain why they are happening. With Ethan not taking no for an answer, Lena eventually lowers her guard, slowly by slowly letting Ethan into her life.

And as more strange events occur, even Lena can’t deny that she feels the same connection that Ethan feels for her. Ethan is thrown headfirst into the world of the Casters and discovering an ancient connection to the past, along with Lena, they are pitted against the universe. As Lena’s 16^th birthday draws closer, Ethan and Lena must discover the key that could change Lena’s future.

Beautiful Creatures is one of those books that don’t happen very often. Fresh and new, Kami Garcia & Margaret Stohl have woven an urban fantasy novel that gives the often over-done young adult romance genre something different. A love story told from the male perspective. Seeing the story and reading through Ethan’s perspective was something that I loved about this book. Too many romance books have the female character constantly fawning over the male lead. This didn’t occur, and it was the differences that made reading from Ethan’s point of view work. Ethan didn’t overtly say that he was in love with Lena, yet it was his attention to the small details surrounding Lena that allowed me as a reader to see the true depth of his love before Ethan would even admit it to himself. The material of the Caster’s was also something that I enjoyed immensely. Their whole world was this rich culture that was thought out and developed in fine detail, yet at all stages seemed plausible and read, especially the way that Lena and her family moved around the topic of their special abilities with people not of their family. Linked in with this was Ethan’s aunt Amma, a character that I fell in love with by the end of the novel. Along with the many members of Lena’s family and Ethan’s friends at school, there were many a variety of characters that made the world of Beautiful Creatures enriching and enjoyable to read about.

Beautiful Creatures is one fantasy world that I would like to visit.

Pages: 626

Publication date: Australia – 2010, USA – Dec. 2009

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*Beautiful Creatures is also our Book Club read for the month of January.  Join the discussion here.

I’ve been trying to write my review of this novel for a few days now. Trying, and failing. So, I’ve decided to take an approach that I don’t normally follow. Instead of launching into a detailed description of plot and character, I’m going to post the blurb as shown on the back of the novel (so you at least get a little insight into what it’s all about), and then I want to discuss a few key literary devices that I thought worked well. This isn’t something I normally do, but I don’t think I can say what I want any other way. So here goes…

A lonely gay teen bides his time with trips to strangers’ funerals and Ouija board sessions, desperately searching for someone to love–and a reason to live following a suicide attempt.

Walking an empty stretch of New Jersey highway on an autumn night, he meets a strange and beautiful boy who looks like he stepped out of a dream. But the vision becomes into a nightmare when the boy turns out to be the local urban legend, the ghost of a star athlete killed in 1957–a ghost with a deadly secret and a dangerous obsession.

Vintage: A Ghost Story is an intense thriller that looks at the dark side of gay urban fantasy, where the dead can never rest and trapped spirits never find peace.

Although this novel is narrated in first person, the narrator has no name. Actually, that might not be entirely true, but if he does have a name, readers never find out what it is. The first time I read Vintage through, I felt that by not giving him a name, the author robbed the narrator of authority. Because he was nameless (and also gay), I felt like the author was trying to tell me that his identity didn’t matter, that being gay meant that he wasn’t worthy of a title like a name. I found myself getting all ticked off about the kinds of impressions that would leave on potential queer teens. However, I was so intrigued by this concept of a nameless narrator that as soon as I finished reading Vintage, I went back to the beginning and started again. I very quickly changed my mind over how I felt about this character. I realised that by not giving him a name, the author was actually empowering the character and inviting you, the reader, to assume his identity and really place yourself in the story. This, then, made the story more powerful and a whole lot more engaging than the first time I read it. This gave me the opportunity to step into his shoes, to not be myself for a few hours and really immerse myself in his world. I now saw that this gave the narrator loads of authority, unlike my previous assumptions.

I also enjoyed the fact that, while not necessarily ‘out’, and although the narrator had certainly encountered adversity because of his sexuality in the past, he seemed more than comfortable as a queer teen. He was not struggling to comes to terms with his sexuality, which was very refreshing. I thought that Vintage highlighted a really clear distinction between comfortably keeping one’s sexuality to himself, and fearfully doing so. Coming out should be the choice of the individual, and just because you’re comfortable with your sexuality doesn’t automatically mean that you have to come out. I really enjoyed this aspect of this novel.

Vintage is a quirky queer teen read that I’m almost certain would be enjoyed by readers both gay and straight. There’s something about a good old ghost story that has a real universal appeal. Watch out for the supernatural sexual encounter!
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Bit of a thrill junkie? Then you’re going to love this one. I suggest you hold on to your seats, folks, because you’re in for one hell of a ride. Skeleton Creek is an anomaly. And a very, very good one at that! Patrick Carman calls it “cross platform storytelling” because it incorporates both the traditional use of text, as well as video footage to tell the story.

A terrible accident occurs one night when Ryan and Sarah are messing around at the local closed down dredge. In the darkness, Ryan falls over – or maybe someone pushes him *gasp* you’ll have to read it yourself to find out – and he tumbles through the support barrier, knocking him unconscious and shattering his leg. He winds up in the hospital, and both Ryan and Sarah’s parents forbid them from seeing each other anymore.

On the night of the accident, Sarah had her video camera and caught the whole thing on tape. When she watches it back, something shows up on the tape that has her bones rattling inside her body. She secretly sends the video to Ryan, who is equally freaked by the image on the tape, and the two start an investigation behind their parents’ backs.

You wont believe what they uncover …

Ryan’s part of the story is delivered via his journal. While he’s cooped up in bed recovering from his fall, writing absolutely everything down is the only thing that stops him from going insane. Sarah’s part is delivered entirely through video. She blogs messages to Ryan, and she also uses her camera to document her investigative findings.

The video sections make Skeleton Creek. It would still be a great story without them, but they add a new level of interaction with the characters that you just don’t get from ordinary books. Although most of the information is delivered through Ryan’s journal, several key pieces come from Sarah’s footage. I found myself reading as fast as I could in order to get to the next password quicker (videos are posted on a website and the passwords given in the text are required to access them). The pieces of the footage taken at the dredge are actually really creepy, and they give the story authenticity. The whole thing has a real Blair Witch feel about it, but in its own unique (and supremely good) way. The last scene (delivered by video) had me sitting on the edge of my seat, and as the picture on screen faded into blackness I clapped both of my hands over my mouth to muffle my scream. There was no part of me – not even a tiny subconscious part – that saw that one coming. It’s definitely a strong contender for the Best Cliffhanger of 2009 award.

Oh why must you torture us so, Patrick? WHY, WHY, WHY?

The good news is, though, that the sequel is out in the summer of 2009 (the American summer, that is), so interested parties wont have to wait too long.

Skeleton Creek is not suitable for those with heart conditions as reading/viewing may cause hot flushes, and excess pounding of the myocardium. Other side effects include interrupted breathing patterns, sweaty palms, and nervous behaviours such as excessive foot tapping, nail biting and grinding of the teeth. If symptoms persist upon completion of reading, you can email Patrick at fanmail@patrickcarman.com as I’m sure he’d love to hear all about it!

A fly by the seat of your pants read that will captivate both male and female audiences.

Available February 10, 2009

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